「SXSW 2014」音楽部門の公式パネル・セッション一挙紹介、業界トップのスピーカーが揃う

「SXSW 2014」音楽部門の公式パネル・セッションを一挙紹介。業界トップのスピーカーが揃う

来年3月7日から16日にかけてテキサス州オースティンで開催される世界最大の音楽・映画・インタラクティブの祭典「SXSW 2014」（サウスバイ・サウスウェスト）。その中で11日から16日にかけて開催される音楽のカンファレンス「SXSW Music」の期間中に開催される、音楽ビジネス業界向けの公式パネル・セッションが発表されました。

パネルはSXSW独自の選出システム「Panel Picker」を使って一般者が投票した中から、85のパネルが選出されました。パネルでは、ミュージシャンのマネジメントやプロモーション、新人発掘などレコード会社やマネジメントに関連する内容から、DIYアーティスト向けのパネルや、著作権やロイヤリティの議論もあります。さらに音楽ストリーミングサービスの話や、クラウド、モバイルなどのテクノロジーよりのパネル、メディアについてのパネル、音楽マーケティングのパネル、ツアービジネスのパネルなど、音楽ビジネスに関心のある人なら必ず見たくなるようなセッションばかりです。

もし来年3月にSXSWへ参加する方がいらしたら、こちらのリストで自分の興味あるパネルをチェックしてみてください。

このブログでは随時SXSWの情報を更新してお届けしていきますので、お楽しみに。（カッコの中は、各パネルのオーガナイザーの名前と所属です。各パネルの参加するパネリストは変更する可能性があります。）

・A Billion Tiny Screens: Future of Social Visual (Scott Perry, Sperry Media)
・Africa’s Mobile Music: A New Way of Listening (Catherine Luckhoff, AfricaMaven)
・Alternative, Rock and Pop Go To Broadway (Dave Clemmons, StylesFour Productions)
・Anatomy of a Placement (Travis McFetridge, Great South Bay Music Group Inc)
・Anyone Can DJ: Democratization of Music Creation (Tyler Jensen, Beatport)
・Are Brands The New Music Tastemakers? (Helena Ngo, VerveLife)
・Art vs Craft – Original Music for Advertising (Jack Bradley, HiFi Project)
・Bad Ass Concert Marketing: Pack The F#cking Room (Dan Steinberg, Square Peg Concerts)
・Be Your Own Tastemaker: Music Discovery in 2014 (David Greenwald, Rawkblog)
・Beyond The Play Button: Images & Album Credits (Bill Wilson, digitalmusic.org)
・Big Data and the Music Business (Will Flaherty, SeatGeek)
・Build Your Business In The UK (Jules Parker, Polaroid Management)
・Building Brands in the New Heartland (Paul Jankowski, Access Brand Strategies)
・Business Managers Brainstorm on Royalties (Cedar Boschan, Hurewitz Boschan & Co LLP)
・Can Altruism Be The New Music Business Model? (Elyse Marrocco, Workman Entertainment + Public Relations)
・Come on, Get Appy (Jillian Stefanki, Facebook)
・Compulsory Licenses and Online Music (Jodie Griffin, Public Knowledge)
・Copyright Termination Rules Have to Change (Bartees Cox, Public Knowledge)
・Creative Artist Development for Fun and Profit (John Manganilla, Moonwlk)
・Defining Success in the Streaming World (Graham James, Spotify)
・Designing the $100 Billion Music Business (Peter Schwinge, The New Music Seminar)
・Did the Internet Kill the Album Review? (Anthony Fantano, The Needle Drop)
・DIY Screenprinting Tips & Tricks (Andy MacDougall, TMI Screenprinting Equipment)
・Elevator Pitch Session (Brian Zisk, SF MusicTech Summit)
・Ethical Access to Live Recordings: Artists & Fans (Paul Conway, University of Michigan School of Information)
・Event Cinema Taking Rock ‘n Roll to the Big Screen (Grant Calton, Omniverse Vision)
・Exploring Mystique in the Art of Music Mastering (Gavin Lurssen, Lurssen Mastering)
・Fashion + Rock n’ Roll: A Timeless Bond (Stephen Niedzwiecki, YARD)
・From Songs to Scores: Can Songwriters Score Films? (Brad Shenfeld, Shenfeld Law, Pc)
・Getting Your Music Heard in the Streaming Age (Kristin Hehir, Rovi Corporation)
・Got Stems? Mashups For The Masses (Kahlil Ashanti, Indiloop Media Inc)
・Has Metal Lost Its Edge? (Kimberly Kelly, Pitchfork Media)
・Heavy Metal Entrepreneurship – A Ph.D. Study (Laura Laaksonen, Consulate General of Finland in Los Angeles)
・Hip Hop: From Mixtapes to the Cloud (Dan Dupree, SoundCloud)
・How to Build the Right Team Around Your Music (Nani Stoick, Vector Management)
・How to Do-It Better in the Bedroom (Madison Grieco, Stadiumred)
・How to Steal Like An Artist (Margot Kaminski, Information Society Project at Yale Law School)
・If TV is the New Radio, Brands are the New A&R… (Michael Frick, Mophonics)
・In-Store Radio: 200M Potential Fans (Richard Jankovich, Shoplifter )
・Indie Food is the New Indie Rock (Tom Monday, Small Batch America/Indie Canteen)
・Intergenerational Communication in Media Relations (Howard Wuelfing, Howlin’ Wuelf Media Inc)
・International Commerce – A U.S. Label Imperative (Richard Bengloff, The American Association of Independent Music (A2IM))
・It Takes Money To Make Money: Alternative Funding (Mike Fabio, Lyric Financial)
・John Williams to Pharrell Williams: Composers 2.0 (Rebecca Rienks, E! Entertainment/NBCUniversal)
・Life Beyond Music: Musical Hobby to Musical Career (Josiah Albertsen, Raymond James)
・Makin’ Cents: Why Microcents Count (Jeremy Peters, Ghostly International+Ghostly Songs)
・Making the Transition From Artist to Suit (David Hoffman, Shapiro Bernstein Music Publishing)
・Moblie Music Marketing: A How To Guide (Theda Sandiford, Republic Records)
・Museum Music: Art Galleries as Performance Space (Adam Bennett, Blanton Museum of Art)
・Music Agency of Record (Daniel Jackson, Cord Worldwide Ltd)
・Music and Economic Development for Cities (Cameron Mann, Memphis Music Foundation)
・New Adventures in Copyright Enforcement (Casey Rae, Future of Music Coalition)
・New Era of A&R (Dave Haynes, SoundCloud)
・New Music at SX: Acoustic Cafe + SongCraft (Ben Arthur, Mummery Publishing)
・New Punk Strategies: Your Values = Your Biz (Rebecca Gates, Parcematone Presents)
・No Rules: Defying Genres in the Music Business (Dan Coleman, Modern Works Music Publishing)
・Now and Then. New Tech and Established Artists. (Rynda Laurel, 1968media)
・Optimize Your Online Store – Sell More, Earn More (Jason Spitz, The Spitz Agency)
・Record Stores Are Dead. Long Live Record Stores. (Hank Stockard, Redeye Distribution)
・Reinventing Artist Management-New Power Brokers (Jeff Pollack, Pollack Media Group)
・Remixing, Mash-Ups, and Copyright Law (Christiane Kinney, LeClairRyan)
・Rise of the Remix: Art. Business. Engagement (Antony Bruno, Beatport)
・Royalties as Investment – Maximize your Returns (Charles Upchurch, The Royalty Exchange)
・Smart Touring (Don’t Lose Your Shirt) (Gabe Kubanda, Epic Proportions Tour LLC)
・Stalled Revolution: Inciting Women to Leadership (Neeta Ragoowansi, Women in Music)
・Synching Up…Is It Worth It? (Theresa Notartomaso, Publicis Kaplan Thaler)
・Thank You For Letting Us Take Your Money (George Howard, Wolfgang’s Vault/Berklee College of Music)
・The Art of the Crossfade (Jeff Beckham, Wired)
・The Chitlin Circuit and the Road to Rock & Roll (Margaret Moser, The Austin Chronicle)
・The Definitive Guide to Live Music and Streaming (John Petrocelli, Bulldog Digital Media)
・The Digital Music Performance Royalty Apocalypse (Paul Fakler, Arent Fox LLP)
・The Evolution of Audio in a Mobile World (Sabrina Pietryga, Text100)
・The Nerdy Music Panel (Raheem Jarbo, RandomBeats LLC)
・The New Geography of the Music World (Julie Harari-West, Deezer UK & Ireland)
・The Rise of Influence Marketing in Music (Acacia Newlon, Ticketfly)
・The Value of Music Export Offices (Shain Shapiro, Sound Diplomacy)
・Today’s Best Practices in Music Publicity (Dmitri Vietze, StoryAmp LLC)
・Top Tech Innovation Trends for Music 2014 (Kevin O’Malley, TechTalk/Studio)
・Touring on a Budget (Mark Scribner, Piemonte & Liebhauser LLC)
・Touring Tips Straight from the Trenches (Mike Manewitz, inputli.st)
・Trailer Cash: How To Hitch Your Music To A Trailer (Steven Scharf, Steven Scharf Entertainment/Carlin America)
・UK Television: 10 Rules For Music Placement (Mark Gordon, Score Draw Music)
・Ups and Downs of Creating a Digital Song Catalog (Howell O’Rear, McInteer & O’Rear PLC)
・Using Music to Sell Other Stuff (Ken Hertz, Hertz Lichtenstein & Young Media Law)
・Will Artists Make Money on Big Music Platforms? (Hany Nada, GGV Capital)
・Your Data and Your Life (Courtney Klossner, Patreon)
・Your Friends Have Bad Taste: Fixing Social Music (Marni Greenberg, The Echo Nest)

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記事提供：All Digital Music

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